Aero No. 11A (Freeway)

Descending into JFK, the urban landscape reveals itself in compressed layers—highways cutting geometric lines through dense development, the grid of streets and buildings creating patterns of light and shadow. From altitude, the city becomes abstraction.

The composition captures the density and energy of approach—layers of infrastructure, architecture, and movement compressed into a single view. It emphasizes the complexity of urban form seen from above, where function becomes pure visual rhythm.

Oil on birch panel
h: 33 w: 29
h: 34.25 w: 30.25 (Including black floater frame)
Signed on back
Ready to hang

Part of the Aeroscapes™ series—paintings born from the fleeting perspectives of flight, where landscapes dissolve into abstraction.