Inspired by a journey through New England, tracing the steps and vistas painted by Edward Hopper. This piece captures the quiet drama of Cape Elizabeth, Maine—where land meets the Atlantic in a study of light, color, and coastal atmosphere. The composition distills Hopper's sense of place into textured layers of paint and mark-making.
Acrylic on panel w: 10 h: 8 Available framed or unframed Signed on front
Part of the 30 In 30 Series, a disciplined practice of creating one painting daily for thirty consecutive days. Working with flexible metal painting knives, I build textured, impasto surfaces that capture the immediacy and energy of each session—a record of momentum, material, and mark-making.
